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Kick Drum! What are some fun miking techniques or microphones you use for the kick drum? Here's a few of mine: -MD421 in-kick and AT 4033 out-kick with a u67 about 4 feet back level with the kick. -Build a tunnel with foam gobos around the kick leading out.


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In addition, I set up an MD421 and a KM84 over the top of the kick drum pointing down at the batter head's beater-contact point, along the lines suggested by Robbie Adams and Steve Albini. External miking positions aren't just for when the inside of the drum is inaccessible, though; combining the signals from internal and external mics is.


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236 Share 17K views 4 years ago Kick drum mic comparison. On the first half of the video you'll hear only the kick mic with no EQ / compression. On the second half there's a drum buss mix.


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The Sennheiser MD421 comes in a softish hardbox. It comes with a clip mount that attaches to the mic by sliding in a groove on the bottom of the mic.. When using it for vocal's it never get's in the way, but try to use it on tom's or kick drum, and you gotta be really careful not to knock it off the clip when adjusting, which sucks because.


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The mic is fantastic with floor toms, picking up the bass with incredible clarity, and works equally as well on the snares, rack toms, and kick drums.


UCI Sound Design May 2012

The MD 421-II's full-bodied cardioid pattern and five-position bass control mean it's an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it's a classic. More Details $ 429 .00 As low as $9 /month with 48 month financing* See all payment options Add to Cart


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Best for toms: Sennheiser MD421-II Best for versatility: Beyerdynamic M201 Best clip-on: Beyerdynamic TG D58 Best kit: Sennheiser e600 Drum Microphone Kit Best budget: Shure DMK57-52 Drum Mic.


UCI Sound Design May 2012

Posted February 14, 2006. We had a small gig this weekend where we had to provide the PA and my drummer decided to rent a MD421 for his bass drum just for kick (pun intended). I was pleasantly surprised. I did have to boost the lows a bit, but the result was a really tight sound that had just the right balance of thump and click (technical.


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While I like the idea of having this mic, I have to think about it's real practical application in my case, which would probably be kick drum, since I don't do much acoustic stuff.there's not much of it out here anyway.


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The Sennheiser MD421 is a notorious mic with near-perfectly engineered components - its sound and reputation precede it. MD421 II is the next model of one of the most popular dynamic mics on the market. It remains largely the same as the original version, but it's been given a stronger make-over.


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Sennheiser MD 421 microphone, original light gray model. The Sennheiser MD 421 is a German cardioid dynamic microphone, widely used for speech in broadcasting and for music in live concerts and the recording studio.Introduced in 1960, the internal large-diaphragm transducer element of the MD 421 is still produced unchanged by Sennheiser.The MD 421 is considered a classic, an industry standard.


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PROS Constructed to last a lifetime Built to handle high sound pressure levels Extremely accurate and versatile CONS Included mic stand adapter is a bit brittle 9.3 OUR SCORE READ REVIEWS Guitar Center Learn about the history of the MD 422-II Find out why this model is one of the most versatile dynamic microphones


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If I use a RE20, Sennheiser MD421 or Beyer M88 on the kick drum I would use for sure a SubKick to represent the sub frequencies that the kick drum has and are common on a modern jazz record, as those mics are not that responsive in the sub region. So for me it depends on the mic combination and choice, also of course on what the band/artist.


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The Sennheiser MD421 is a favorite on floor toms for its low-end response. Some engineers like to use a kick drum mike, such as AKG's D112 or Audix's D4 or D6, on the floor tom for extra low-end oomph. Place the mike about 2″ above the drumhead, about two inches in from the rim opposite the player. Angle the capsule down toward the head.


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Check price Audix D6 Kick Drum Microphone Review The Audix D6 kick drum mic is an industry-leading kick drum microphone. Many sound engineers claim this microphone to be their weapon of choice when it comes to capturing the sound of a powerful bass drum.


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A simple budget way to mic drums would be something like your MD421 on kick, the SM57 on snare and two MC-012's X/Yed as overheads. May times I prefer a M201 on snare top and a 57 or something on the bottom (flip the phase). and D112 almost outside of the kick with a MD421 on the inside close to the hammer striking point and MC-012's as.